For filmmakers
who fix it in pre.

A dedicated pre-production pipeline, shaped to fit any kind of shoot.

The production board for a commercial: locations, client, cast and crew laid out on one canvas, with a prep timeline across the top.
Before the shoot
A lighting plan from above: key, fill and kicker with their beams drawn to scale around a subject, the camera's field of view, and a bounce on a C-stand, in a 20 by 16 foot room.

The room, lit before you arrive.

Place the camera and every light on a plan of the space and see where the light lands.

The Gear Closet's table: lights, tubes, sandbags, folded C-stands and a tripod laid out to scale on a gridded mat, with two open cases holding a camera, batteries and lenses.

Your whole kit, on one table.

Add what you own by typing its name. It's drawn to scale, and the floor plan marks what's already on the truck.

On the day

A digital slate at your fingertips.

  • Scene · TakeCome straight off the shot list you built.
  • LogEvery take with its timecode, circled or not.
  • RundownThe circled takes go to your editor that night.
Production Mode on an iPad: the clapper, running timecode, the day's shots from the shot list, roll, scene and take, the slate details, and the clap button.

Got a shoot this week?

Start it here. The call sheet fills itself in while you plan.