For filmmakers
who fix it in pre.

A dedicated pre-production pipeline, shaped to fit any kind of shoot.

The production board for a commercial: locations, client, cast and crew laid out on one canvas, with a prep timeline across the top.

Your gear, in a virtual closet.

  • See it allEvery piece drawn to scale, packed in its cases.
  • For each shootMake a gear list and see what you have and what to rent or buy.
  • InventoryKeep count of quantities, serial numbers and what needs service.
Open the Gear Closet

Visualize your dream rig.

  • Before you buySee what fits and what doesn’t before you spend anything.
  • For the shootConfigure a rig for a specific job, or just for fun.
  • Weight and costRunning totals as you build, and a link to buy each part.
Open the Rig Builder
The FX6 rig as the Rig Builder draws it: the camera in its cage with a 50mm lens and 15mm rods, a NATO top handle carrying a 5-inch monitor on its cold shoe, a Tentacle Sync E on the cage’s left cold shoe and a V-mount battery on the rear plate.8 parts · 3.1 kg · est. $9,111
The FX6 rig as the Rig Builder draws it: the camera in its cage with a 50mm lens and 15mm rods, a NATO top handle carrying a 5-inch monitor on its cold shoe, a Tentacle Sync E on the cage’s left cold shoe and a V-mount battery on the rear plate.8 parts · 3.1 kg · est. $9,111

The same project, as a slate.

  • Scene and takeCome straight off the shot list you built.
  • LogEvery take with its timecode, circled or not.
  • RundownThe circled takes go to your editor that night.
The slate on an iPad: the clapper, running timecode, the day’s shots from the shot list, roll, scene and take, the slate details, and the clap button.

The call sheet fills itself in while you plan.